Cecil Taylor - 1974 - Silent Tongues

 


If I can describe this year in one word then that word would be: traveling. I did a lot of travels and a lot of those travels were by car. Driving 500 to 600 kilometres in one day alone and free to listen to whatever I want for hours. Certainly I always had a soft spot for difficult music but these long drives allowed me to dedicate a lot more head space to it and enjoy it with new perspectives and refreshed vigor.

Cecil Taylor undoubtedly fits in this category of difficult music. Difficult to focus on, difficult to process, difficult to endure maybe but definitely easy to have a dismissive opinion on it. Over the years my favorite albums by him were albums where he had groups of musicians with him and solo albums I've tried maybe once but quickly passed on them. Conquistador definitely still is my favorite album by him, closely followed by the immense live album - Nefertiti but only recently I've grown to appreciate his solo albums. 

I've read descriptions of these albums as being more percussive than pianist. A statement that I can definitely understand and see where it comes from. From my perspective, which is a perspective of a dumb fucking elitist caveman metalhead, Cecils playing sounds to me like primordial versions of guitar solos that Trey Azagthoth did on Morbid Angel albums.

I get that this is a stretch and an unfair comparison but I hear it. Maybe I'm just crazy. But Cecils solo performances are never focused on structured playing - it is sculpting with sound. Textures and layers of sound, morphing into an infernal whirlwind of piano keys that rises and falls throughout the album as he sees or feels. Unbarred pure expression limited by very little. Kinda like the early extreme metal scene.

In any case this album definitely isn't for anyone but one day you might sit down and suddenly it'll all make sense and you'll enjoy it. For me it only took a 6 hour drive from Rijeka to Genoa - for you it will be something different. No shame in trying!

Get.

Reuploading old(er) requests.

Hello everyone! Second post this year and already more than half of the year is gone!

Time certainly flies when one gets older (pushing 31 this year) and busy with traveling around (my work is mostly unaffected by traveling restrictions).

Since a couple of requested mounted over the months I've decided to make it a little special this time around in the sense that since most of these are super old posts I will reflect upon them in chronological order of requests. You can find fresh links in the original posts.

Piana - Ephermal

Original post here.

Oh God I was 17 when I posted this. Naturally I did not have much to say about it because (if memory serves) I was discovering a lot of new musical directions and styles in those days. I got fed up with metal which was my primary diet up until that year or somewhere around it. Synth pop this definitely is not but very relaxing it definitely still is. 

The vocals, today, are a bit too high pitched for me to enjoy them fully. There are several layers of electronic and ambient music going on in the background with Piana's voice kicking in every now and then but never sticking around for too long. Short clean verses and melancholic passages. I probably spent a lot of time listening to this on the bus going home after school.

I never listen to this anymore, last time I gave it a listen it was in 2017 and that was just going through one album. Before that I was listening to it in 2010 on a more frequent basis. My interest in Piana obviously faded away but relistening to it now I can say that I still like it but does not captivate me as much as I it did before. Some of the layering can be a bit too much in certain songs. It definitely is, as mentioned in the original post, music for sunsets in autumn.

Hako Yamazaki - ハコのお箱

Original post here.

I still very much like Yamazakis music. In my pantheon of female Japanese vocalists she firmly holds the third place being behind only Morita Douji and Meiko Kaji.

Yamazakis best period is definitely during the 70s but she continued to be a very productive person throughout her career that went well into the 2000s. This isn't exactly an album of new songs but is rather a collection of her older songs reimagined by herself.

In my original post I was 19 at the time and I was most likely really fucking bummed out about being absolutely terrible in college. So depressing folk music that I can't understand definitely made me feel good. My guesses about the context of this release was on point despite not doing much research about it.

Today I rarely visit this album but I really should. Even though the songs aren't new they have a new approach that I'm liking a lot. Most of them are stripped down and vocals are more cleaner in production. Perhaps a bit too sterile on some tracks but overall really good stuff for the most part.

Ralfi Pagan - The Legend

Original post here.

Ah yes the sensual sound of a latino lover. I discovered this guy while at the age of 28 and I remember that year I was generally discovering latin and salsa music. Something I liked to avoid because my dad was really into it; he still is. Ralfi dude isn't very known or popular or very original but he does have a really good voice that I like a lot. His voice is quite feminine and music accentuates this a lot by being mostly slow love songs. This is great if you're in the mood for it but objectively nothing particular. Make It With You is the song that made me interested in him so you might also start from there (the song is linked in the original post).

Bix Beiderbecke - Anthology

Original post here.

Another post from 2018! The person commenting actually said it best so let me quote:

I find a lot of jazz of this period rather timeless even with the very primitive recording tech.

This pretty much sums up my opinion of Bix and the 20s-30s era in general as well. Jazz went on to evolve into many interesting forms but there is certainly something special and unique in dixieland jazz that will never be replicated again. Not in my lifetime at least.

And that's it! Sorry for not reuploading sooner. I read all of the comments and I do feel bad about not reuploading sooner but it is what it is. Some things never change.

I have a huge multi part post in the making for a while now, I hope to finish it this year. It's going to be a thorough look at one of my favorite (active) bands. But who knows when it will be don. I hope to do some shorter shares in the meantime. No promises!

Stay safe everyone and see you around!

Vemod - 2012 - Venter På Stormene

 


What better way to start a year than with some finely crafted black metal? I don't see why not so let's head off in that direction.

Vemod is a Norwegian band I discovered quite a while ago when I went to see Mgla in concert during their With Hearts Towards None tour. Accompanying bands were Svartidaudi and One Tail One Head. The biggest disappointment of the evening was One Tail One Head which seemed like this really dumb gimmicky 2nd wave worship at the time but I went home I decided to give them a second chance and see how they sound on CD. Wasn't very happy with what I heard but my habit of digging through associated acts while I listen to albums paid off as I stumbled upon Vemod. The artwork captivated me so I gave it a try and I was rewarded with a very fine listening experience.

Vemod's style is deeply rooted in the old school style of black metal, there's not much here in terms of experimental riffs or out of the box thinking compositions. What Vemod excels in is what all good black metal albums should excel in and that is atmosphere. It is melancholic without being edgy, it is somber without being cheesy. It feels very honest and natural in all of the four tracks that this album offers. Complementing the melancholic black metal are ambient passages that feel at home in between and during the metal parts. The third track on this album is entirely ambient and probably my highlight of the whole journey. I also feel like they managed to tastefully implement some post-rock influence as well as there are some less distorted passages every now and then (most notably on the second track). 

Vemod have finally announced a new album for this year and I have my fingers crossed that it will be at least as good as this one if not even better. Until then there is no time like now to get into their first album.

Dig it.