The end of 2018!

Hello and welcome to the end of the year!


This year was special in several ways, for starters the blog turned ten year old but more importantly I managed to make much more posts than in several past years. I'm really happy about that and I really fucking hope I'm slowly slipping in a comfortable steady pace of discovering/listening/posting. In 2019 I want to hopefully continue this trend (or just watch me fuck everything up after first week). I haven't been very diligent this year with discovering new releases mainly because of my work enviroment which didn't allow me to listen to music while on the job and more importantly it's a job that had me away from town so I couldn't even be on my PC in my spare time.  So during work days I would slave away without any opportunity to listen to music and my only listening days were delegated to weekends and during that time I just wanted to listen what I already knew to keep me sane. So not a lot of contemporary 2018 releases from me.

The list can be find at the bottom of this post so skip there if you don't want my ramblings. For those of you who like to read my thoughts here are a few opinions on some releases and bands from this year:

John Coltrane - Both Directions at Once



Is this a 2018 album? No. Is this a revolutionary album? No. Is this my album of the year? Yes! As a big Coltrane fan I have to say this made me really happy to hear and learn about it. I'm familiar with a lot of his established (official?) catalog and to be able to hear something new was something that got me absolutely thrilled. Is it deserving of all the praise? As much deserving as any other solid Coltrane record. It's definitely a victim of too much hype but I think people were just really happy to get a hold of it (apparently it was rumored to exist long before it came out). Not only is it something new by Coltrane it also happens to be made by my favorite combination of musicians that played with him so I can't really objectively look at this release. It got me thinking about how who knows how much unreleased material there is by jazz giants? I'm sure there are a lot stuff out there waiting for better days perhaps.

Pouya - Five Five


I have to admit I'm largely clueless about the current state of hip hop and trap. I have a couple of friends who are into it that send me tracks every now and then but largely the whole movement, which will probably mark this whole decade, is completely going past by me. I can't really say I feel left out because it's just not my forte. I'm a cave dwelling metalhead after all. Pouya is one of few examples that I discovered by my own during one of my youtube rabbit hole adventures. He's alright I guess. He grabbed mainly because of his fast and fluid flow and also the tone of his voice is really suiting me for some reason. I'm not sure how well known or good he actually is because I have nothing to compare it to. I like it, maybe you will too and his new single has been on heavy rotation this past month for me. His buddy Shakewell has probably my favorite music video of this year.

New forces and faces of jazz

I might be completely wrong here but it seems like modern jazz is slowly rupturing into two streams. One one side you have this insular, for the fans scene that is spearheaded by very technically apt players like Chris Potter, David Binney, David Kikoski etc. (just sifting through Criss Cross roster and you'll get an idea). It feels like nobody outside of contemporary jazz knows or talks of these people for some reason. I like them a lot and I enjoy their music but they can't seem to penetrate to a wider audience. On the other hand Kamasi Washington came from a completely other field and is slowly cultivating this new and also interesting scene of jazz and jazz players which seems to be aimed and also branded as jazz for audiences that aren't familiar with jazz that much. Sure they get shunned and not all of their albums are great but I think it's important that the pillars of jazz get shaken up a bit and him and similar are doing just that. The Optimist was released this year but recorded much earlier (led by Ryan Porter and featuring a bunch of players that are with Washington) and the album proves that the band and the individual players have much more in store than just flashy playing and endless tacky choirs. Another name that popped up for me is Kamaal Williams who seems like another interesting outsider figure in jazz. Perhaps what captivates me about his new album is that it pushes the lo-fi hiphop ambient music into something more structured and interesting while retaining its familiar comfy feel. Lastly from these new forces I want to single out Nubya Garcia who's short EP would probably top my list of the year had it not been for Coltrane. She maintains a good balance between outside and inside, showing skill yet still finding that comfy groove which seems to resonate among a lot of these "outsider" players. Such a shame I missed out on her live concert during this summer.

Metal musi... HEY WAIT, SUMMONING RELEASED AN ALBUM THIS YEAR



It feels like Old Mornings Dawn came last year but in fact it has been well over five years so this album came as a surprise to me. I've read several times on Metal Archives that this new one feels like just a Vol. II of the previous one but I have to disagree. The album is over an hour long but it never feels like that. The last song is absolutely amazing and is worth all the praise it gets! If we're talking only metal this is probably my biggest favorite from this year. I just adore the melodies, the atmosphere and the honesty this album oozes. There were several other good ones that I enjoyed like Esoteric Malacology, ION, Abiogenesis and so on but throughout the year With Doom We Come is the album that I would always get back to when I would come home during the weekends.

And that's about it from what I would like to highlight. I just want to mention that I saw Kraftwerk live this year and it was probably the best live show I've ever saw so far in my life. The whole thing was a thing of absolute beauty. Anyway, here's the complete list:

Metal:

Augury - Illusive Golden Age
Burial Invocation - Abiogenesis
Clandestine Blaze - Tranquility Of Death
Cosmic Church - Täyttymys
Degial - Predator Reign
Drudkh - They Often See Dreams About the Spring
Ectoplasma - Cavern of Foul Unbeings
Funeral Winds - Sinister Creed
Hiidenhauta - 1695
Immortal - Northern Chaos Gods
Imperialist - Cipher
Mammoth Grinder - Cosmic Crypt
Our Place of Worship Is Silence - With Inexorable Suffering
Portal - Ion
Sleep - The Sciences
Slugdge - Esoteric Malacology
Summoning - With Doom We Come
The Order of Apollyon - Moriah
Wayfarer - World's Blood

Not metal:

3 Chairs - Three Chairs 3
Andrew Jackson Jihad - Ugly Spiral - Lost Works 2012-2016
Coco Bryce & FFF - Falling in Love
Grouper - Grid Of Points
Idris Ackamoor & The Pyramids - An Angel Fell
John Coltrane - Both Directions At Once
Kamaal Williams - The Return
Nubya Garcia - When We Are
Pouya - Five Five
Ryan Porter - The Optimist
U.S. Girls - In a Poem Unlimited

Thanks for sticking around and happy new year everybody!

The list of 2017


Hello and hi. I noticed a while ago that I did not make a 2017 list. I don't know why and I feel obligated to make one before I do the 2018 one. The 2018 (as you'll see tomorrow) isn't very long for reasons I'll explain when I write that one so here's a list of albums from 2017 that I enjoyed and liked to varying degrees to compensate my small 2018 list and penis. The list is augmented with albums from 2017 that I discovered after 2017. I would just like to mention that Dear (album by Boris from 2017) was really disappointing but to compensate for it a lot of good metal albums came out. I really liked Severed Monolith (from Gorephilia) and Reflections of a Floating World (by Elder) but most of these albums below are good if not better.

In alphabetical order they are:

Metal:

Abigor & Nightbringer & Thy Darkened Shade & Mortuus - 2017 - Split
Acrimonious - 2017 - Eleven Dragons
Altarage - Endinghent
Amaguq - 2017 - Occult Rituals of Anthropophagous Worship
Amnutseba - 2017 - Demo
Aosoth - 2017 - V The Inside Scriptures
Arkhon Infaustus - Passing The Nekromanteion
Arkhtinn - 2017 - IV
Arkhtinn - 2017 - V
Artificial Brain - Infrared Horizon
Ascended Dead - Abhorrent Manifestation
Battle Dagorath - 2017 - II - Frozen Light of Eternal Darkness
Bestia Arcana - 2017 - Holókauston
Blood Tyrant & Warden - 2017 - Duvonde Skerfe
Botanist - Collective - The Shape Of He To Come
Clandestine Blaze - 2017 - City Of Slaughter
Condor - Unstoppable Power
Death Fortress - 2017 - Triumph of the Undying
Death Like Mass - 2017 - Jak Zabija Diabeł
Der Weg Einer Freiheit - 2017 - Finisterre
Desolate Shrine - Deliverance From The Godless Void
Dødsengel - 2017 - Interequinox
Draugsól - 2017 - Volaða Land
Dysangelium - Dysangelium
Eldamar & Dreams Of Nature - 2017 - Split
Elder - Reflections of a Floating World
Enslaved - 2017 - E
Eskapism - 2017 - Tales Of Elder Forest
Falls Of Rauros - 2017 - Vigilance Perennial
Fides Inversa - 2017 - Rite of Inverse Incarnation
Firespawn - The Reprobate
Forteresse - 2017 - Récits patriotiques
Funeral Chant - 2017 - Funeral Chant
Gorephilia - Severed Monolith
Grave Circles - 2017 - Tome I
Havukruunu - 2017 - Kelle Surut Soi
Hellfire Deathcult - 2017 - Death Worship
Heresiarch - Death Ordinance
Impetuous Ritual - Blight Upon Martyred Sentience
Inferno - 2017 - Gnosis Kardias (Of Transcension and Involution)
Kêres - 2017 - Book Of Desire
Krallice - 2017 - Loüm
Nightbringer - 2017 - Terra Damnata
Nokturnal Mortum - Істина
Ofermod - Sol Nox
Over the Voids - Over the Voids
Phrenelith - Desolate Endscape
Rebirth Of Nefast - Tabernaculum
Rude - Remnants
Saqra's Cult - Forgotten Rites
Season of Arrows - Give It To The Mountain
Sinmara - Within The Weaves Of Infinity
Sinmara & Misþyrming - Ivory Stone-Hof
Skáphe - Untitled
Svart Crown - Abreaction
Temple of Void - Lords of Death
Time Lurker - Time Lurker
Tomb Mold - Primordial Malignity
Triumvir Foul - Spiritual Bloodshed
Turia - Dede Kondre
Ululatum Tollunt - Quantum Noose of Usurpation
Ulver - The Assassination Of Julius Caesar
Unaussprechlichen Kulten - Keziah Lilith Medea (Chapter X)
Ungfell - Tôtbringære
Vassafor - Malediction
Venenum ‎- 2017 - Trance Of Death
Vesicant - Shadows of Cleansing Iron
Warloghe - Lucifer Ascends

Not Metal:

Alex Sipiagin - Moments Captured
Alvvays - Antisocialite
Andrew Jackson Jihad - Back In The Jazz Coffin
Andrew Jackson Jihad - Decade of Regression Live At SideOneDummy
Billy Childs - Rebirth
Black Magic SS - Kaleidoscope Dreams
Boy Pablo - Roy Pablo
Chris Potter - The Dreamer Is The Dream
Coco Bryce - Love Fools
Craig Taborn - Daylight Ghosts
David Binney - The Time Verses
David Gilmore - Transitions
David Kikoski - Kayemode
Estrada Orchestra - Jazzbeatjäätis
Fleet Foxes - Crack-Up
Godspeed You! Black Emperor - Luciferian Towers
Ibibio Sound Machine - Uyai
Miguel Zenón - Tipico
Nubya Garcia - Nubya's 5ive
Sonic Poison - Combat Grind
Sylvie Courvoisier - Crop Circles
Vijay Iyer - Far From Over
Yosvany Terry - Ancestral Memories

Low Threat Profile - Product Number 1 & 2


Sifting through my grindcore folder I remembered this little project and I wanna talk about it a little bit. Low Threat Profile consists of established names from different legendary bands (No Comment, Infest and Lack Of Interest) all collaborating on these short and sweet powerviolence songs. For a punk band these two 7'' are produced pretty good (at least for my standards). They're crisp as fuck and the vocals have no reverb at all. This style brings up a feeling of great closeness to the band which I really enjoy. The songs themselves are pretty short and simple but they're pretty catchy and the vocal delivery is honest and just right for the melodies. Product 2 feels like a better, more polished release but both were made in the same year and are really short so you can't really compare them that much. First one is more raw and angrier though but in combination they make a good round trip through powerviolence land of polish and hate.


Magrudergrind ‎- 2007 - Rehashed


Here's a controversial opinion that nobody asked and is at least five years late: I don't like new Magrudergrind. By new I mean II and Magrudegrind. They're fucking awful, it's everything I hate about modern grindcore and powerviolence. Despite my dumb opinion I still really appreciate their earlier more simple efforts. Like many similar bands they shat out splits and comps faster than you could get them but I personally think this little album (or whatever it is) is the best, most concise thing they did in their career. You might think 62 trax of thrash is better but I think it's a lot less focused and perhaps even bloated. The most captivating value that this band had was the vocals which were really in tune with the ferocity and tempo of the music. They sound like someone has a severe cold and is really angry at the system. The gnarly vocals are followed by a relatively simple but effective array of blast beats and fast paced punk power chords. Fun and simple for a sad and complex life.

Beyond - 2013 - Fatal Power of Death


How about some void crunching death metal? Why ever not? This small band from Germany dropped this gem a couple of years back with not much notice but boy does this one deserve it. It relentlessly channels the spirit of Altars Of Madness in all aspects but it is also drenched in reverb so it sounds pretty much like what the cover depicts. There are no stops when this album starts it only punches forward with fast raspy abyssal yells backed by an endless amounts of riffs and tempo changes. My only complaint is that it does not contain enough solos, everything else fucking perfect.

McCoy Tyner - 1973 - Song Of The New World



While Tyner is mostly known for being a long time pianist for Coltrane he also had a very fruitful and diverse solo career as well. Starting off with relatively conventional (but well made) albums he slowly diverged into more epic and more bombastic sounds. His style of playing gradually came to resemble the famous sheets of sound but in piano form. Song Of The New World truly is a bombastic large ensemble album that was made arguably during Tyner's most interesting phase. Afro Blue, the first track, should be the reason alone why you should give this album a shot but the whole experience is well worth your time as well. Tyner very skillfully juggles grand orchestral sounds and more conventional jazz arrangements with little dissonance in transitions between the two. Although the album is based around an orchestral setting Tyner absolutely is the focal point on every track with absolutely maddening fast improvisations and continuous rapid sheets of sound that make him tower over the whole orchestra. The only dude that manages to compare to him on this record is probably the drummer who manages to stitch everything together in a very fluid way. Good stuff.