Beyond - 2013 - Fatal Power of Death


How about some void crunching death metal? Why ever not? This small band from Germany dropped this gem a couple of years back with not much notice but boy does this one deserve it. It relentlessly channels the spirit of Altars Of Madness in all aspects but it is also drenched in reverb so it sounds pretty much like what the cover depicts. There are no stops when this album starts it only punches forward with fast raspy abyssal yells backed by an endless amounts of riffs and tempo changes. My only complaint is that it does not contain enough solos, everything else fucking perfect.

McCoy Tyner - 1973 - Song Of The New World



While Tyner is mostly known for being a long time pianist for Coltrane he also had a very fruitful and diverse solo career as well. Starting off with relatively conventional (but well made) albums he slowly diverged into more epic and more bombastic sounds. His style of playing gradually came to resemble the famous sheets of sound but in piano form. Song Of The New World truly is a bombastic large ensemble album that was made arguably during Tyner's most interesting phase. Afro Blue, the first track, should be the reason alone why you should give this album a shot but the whole experience is well worth your time as well. Tyner very skillfully juggles grand orchestral sounds and more conventional jazz arrangements with little dissonance in transitions between the two. Although the album is based around an orchestral setting Tyner absolutely is the focal point on every track with absolutely maddening fast improvisations and continuous rapid sheets of sound that make him tower over the whole orchestra. The only dude that manages to compare to him on this record is probably the drummer who manages to stitch everything together in a very fluid way. Good stuff.

Walt Dickerson ‎- 1962 - Relativity


I was never much into vibraphones (and xylophones!) when it comes to jazz. I have mixed feelings about the sound of the instrument. On some albums it gives a good mystical and avant vibe to it while on others it's just plain annoying and out of place. Because of that I know a very little amount of actual musicians that are all about this instrument. Aside from the big ones (Milt Jackson and Lionel Hampton) I can't really name any others. I heard about Walt through his Sun Ra collaboration on Visions. I liked it so I decided to check out some of his solo albums. Relativity won't really blow your mind or anything but it will offer a very fine exercise in bebop and hard bop. With just a skeleton crew and vibes this album might sound a bit bare at times but I think it's good as it is. It emphasizes the instrument and creates this unique, distant and calm atmosphere.


Bix Beiderbecke Anthology


I've talked about this musician before but let me reiterate. This dude was great, so great in fact that Louis Armstrong admired him during a time when everyone else admired Louis Armstrong. Today of course his talent and influence will fly over our head if we don't understand the context and chronology but his music without context still stands as some of the best dixie compositions made during its heyday. For those uninitiated: dixieland jazz was arguably the first fully fleshed out form of jazz. It essentially sounds like wild marching music coupled with short solos and instruments that were later on pretty much abandoned as jazz evolved further. It's fast, happy and unpredictable. No matter how much time passed this music will never feel outdated, to me at least. This anthology will provide you with his records that were made throughout his short career. Starting with the very raw and wild early recordings and slowly proceeding to his much smoother "swing"-like records made at the end of his career. Give it a honest try and you might just find a new genre to adore.


Tracklist and general info here.

Ralfi Pagan ‎- The Legend


I have a very soft spot in my heart for slow, smooth pop songs and Ralfi Pagan is pretty much just that. Cheesy love songs with a bit of a latin salsa thing was all this dude had in mind and they're fucking beautiful. His voice is light and heavenly so all songs have a very dreamy texture. He made a couple of albums in the 70s and that's it so this compilation offers a good introduction to his music. If you're in the mood for simple love songs this is a great choice.


Try.

Billy Harper ‎- 1975 - Black Saint


I've shared Billy's music before but I haven't actually talked about him or his style. Capra Black, which was the album I shared before was a very operatic and grandiose album with ambitious compositions that were very impressive for a debut album especially by a not very well known musician at that. He did have a music degree before recording it so it's not all that surprising that he managed to pull it off. on Black Saint he takes things to smaller but more tighter scales. Starting off the album with a riff that sounds like the composition is about to evolve into an elaborate Colors cover it quickly dissolves into a very organized, traditional and relaxed modal jazz trip. After this relatively calm introduction we get two longer compositions with first being a bit of a mixed bag mainly because the fucking cowbell is damn too loud. Aside from the annoying cowbell everything else is more free and more loose musically which offers space for more improvisational and more intense solos (piano being the centerpiece here). Lastly the album drifts off with a whopping 21 minute spiritual which lets all the musicians play at their hearts content fully immersing the sound and feeling of later Coltrane sound. Although a bit self indulgent this lesser known album is still a good experience if you've exhausted all the well known players.

Get! 

Frankie Cosmos ‎- 2014 - Zentropy


Frankie Cosmos is a twee pop project of Greta Kline and she's slowly but surely climbing up the fame steps by recently releasing an album on the Sub Pop label and doing world wide tours. But before all this she made a slew of self-released mini albums from 2012 up til 2014. Zentropy is probably the best of the bunch offering short and diverse songs which are all distinct from one another. Throughout the varied songs a constant form of self-hating and not so serious lyrical themes lurks behind the mainly happy melodies. Overall it's a great little album worth your attention even though some songs feel unfinished but they're all cute. Great for short bus trips.

Get.

Jackson C. Frank ‎- 1965 - Jackson C. Frank


Jackson was never a mainstream name in his time, he released one album and then faded into obscurity. But as things go his album slowly but surely gathered a large audience for a good reason as well. His album is a very finely tuned exercise in depression and melancholy. His voice is soft and well spoken and loud maybe in just a couple of songs. They are so calm and soothing that even though they are all sad in their nature they still offer this calmness and warmth that can't really be described. A sort of happy sadness. The lyrics are honest and direct, there's no masking here it's all just pure emotion. Reading his biography you come to understand why he sings the way he does. A shame he didn't have more luck in life but at least we have this album to remember him by. Recommended.

10 years!

Lay your heart 
Lay your soul 
Upon my magic carpet 
Now we are flying 
To Venus just to kill some time for tea OK


It has been a while in more than one way. This year the blog gets to be ten years old! So far it has been quite a journey. From the popular days when it would get +500 views per day to a much, much quieter days now when a handful of people visit it weekly. From the merry days of rapidshare and megaupload to hard times of file hosting purges and scarcities. We've been through a lot and times have changed, unseen friends, but this blog did not. For better or worse the format stayed the same. I have things I wanna type about so here they are.

THE PAST


I started Flying Teapot in high school when I was 17, back in 2008. Previously I was a part o a few other attempts at blogging mostly with school friends. I had a rant-esque blog that I co-wrote with a friend (it's in Croatian and it was still up last time I checked, it's full of angsty teen rants) and a shareblog called vndrgrvnd, which is still up for some reason, that I ran for a brief time with my then very close friend Zmaj and another friend. And then there's Terror Noise Audio, a blog I still kinda neglect all the time for no apparent reason.

Flying Teapot was all mine though, from beginning to now. I wanted a place where I would give back to the community, I was leech before (a dead term by now I think?) and I wanted to atone for my leeching sins. Endless opposites and experimentation ensued. Most of them half baked or never finished (or even started). I was tempted at times to introduce other authors (back when it was cool to do it and back when people actually asked me if they could join) but now I'm glad this remained solely a one person effort. This I don't mean in a ego kind of way (none of this is intentionally self indulgent) but more in a way that it slowly because of that this became an indirect historical record of my life. A companion piece to another historical archive of my listening habits on last.fm which predates all of my other internet presences. Scrolling through my previous posts memories often come flooding back, remembrance of various phases I had with music, film and art in general. It also allows me in a way to explore how I thought of certain topics even if my opinions were cringy at times or badly written. I can also read through my posts and remember how I felt at particular times; where I was then both mentally and physically. A lot of posts during my college years (which took forever by the way) have a very distinct feeling of melancholy, depression and lethargy. I hated myself during that period (in a not very apparent or original way, I just drank a lot and did stupid shit) mostly for just coming to terms that I'm studying something I'm not really good at or actually talented at all for. Lethargy is still a very detrimental and auto destructive issue that I have which after college started impairing my working abilities. No idea as of yet how to get over it. But that's how it goes for most people and I learned to live with it for now anyway. But not everything here is so somber, plenty of posts ooze with relief and happiness (all Sun Ra posts were obviously made when I was in a great mood). I don't know why I'm writing about this now, I just think it's interesting.

THE PRESENT


I'm not a very active community user but it seems to me that these, more personal, types of blogs have slowly died away. More convenient methods of sharing came about. Youtube, spotify, bandcamp, streaming in general came along and made everything more easier (good thing!). There are hundreds of specialized channels, sites etc. that curate excellent niche or known music. Nothing is obscure anymore, you can go on forever following youtube generated suggestions. There are some downsides though. I'm saddened that blogs pretty much became just a utilitarian cover+short info+tracklist+link affair while before there was always a balance between that kind and this kind of blogs. The community part is either gone or relegated to something faster (discord etc.). I miss when people would write about the music they are sharing. Reading short stories about people's experiences with music, their descriptions of unknown bands, amateur anthropology! Back in the "good old days" there were a lot of interesting people sharing interesting music from their own carefully curated collection. You could talk to them in the comments, you would exchange information and pass on other good blogs that each found. I feel like a good chunk of that is missing now, overtaken by sheer accessibility. Is blogging dead? I don't know but no matter how long my periods of inactivity are I still don't consider shutting this blog down for good. Every once in a while a stream of energy hits me and I feel I could go on for days just talking about and sharing music shooing away my lethargy demon. Maybe one day it will morph into something completely else.

THE FUTURE


So now where does this leave Flying Teapot? I'm not really sure, my tastes have become much more conventional over the years. I'm slowly getting back to where I started. Old post bop and black/death metal, with occasional brief forays into other genres. I now have a sizable physical collection so that I don't even need to turn on the PC to listen to my favorite albums. I often feel like I don't have anything interesting or worthy to share that hasn't been shared before somewhere else. I don't have the pulse on the vein (maybe I never had). I stopped watching movies and I don't read manga anymore. I read books but boring ones. Autobiographies, biographies, history, classics, vapid fantasy and sci-fi. Nothing really captivating or worth talking about for the tenth time. I became a boring, safe person haha. Maybe I ran out of things that I wanna talk about? I don't know, I'll just have to figure it out as time goes. See you at the twentieth anniversary and thanks for being around!

I still miss my old dog. I'll never forget you. You meant much.

John Coltrane - 1965 - The John Coltrane Quartet Plays


Featuring the classic lineup of McCoy Tyner (piano), Jimmy Garrison, Art Davis (both double bass) and finally Elvin Jones (drums) this relatively overlooked Coltrane album offers some pretty great originals that Coltrane did during the late period of his career. The first side (Chim Chim Cheree and Brazilia) offers a more relaxed and more conventional style of his signature spiritual sound while the other half offers a more experimental, intense and free take on jazz. If you're new to Coltrane this isn't a required listening but if you're already very familiar with his most famous work then you shouldn't pass on this album. The rip I have has the booklet scanned which is a nice addition of context and thought as well as a few extra originally unreleased material.