Blue Mitchell - 1965 - Down With It


All this jazz posting makes wanna listen to some more jazz! We are still kicking in the 60s and we are still keeping it relatively orthodox - actually in this case we are keeping it completely orthodox. It's a 60s Blue Note record so you can't really go wrong too much with it. Yes it is very by-the-numbers but the album does not sound tired or derivative at all. Perhaps influenced by The Sidewinder this album also starts with a blues banger that is mid tempo and smooth enough for you to be able to dance to. The rest of the tracsk aren't as impactful as the opener but still offer a lot of fun. The standout for me is the melancholic Alone, Alone, Alone which draws out some very good passionate playing by Blue Mitchell. Blue Mitchell while not being as technically apt or talented as Lee Morgan he still is among the best trumpet players of his era offering a lot of good fun solos. The rest of the cast (excluding the great Chick Corea) is more or less there on the record but they aren't so detrimental that it makes their solo sections a tedium to listen to. Overall a very solid album that's worth checking out if you're into more relaxed jazz.

Get it / Stream it 

Ron Carter - 1962 - Where?

 


Since I mentioned Ron Carter in the last post I thought maybe I should share this little gem as well. It's kinda wild to think about that this album and The Soul Society is only two years apart. Jazz really was jumping all over in the 60s. As you might have guessed by looking at the line up on the cover this album is much more out there than the album from previous post. Naturally the main fucking weirdo as always is Eric Dolphy but the rest aren't that far much behind him as well. Principally you will be exposed to Dolphy and his dimension defying baritone clarinet (he mans other woodwind instruments as well) but the pianist, Mal Waldron, offers much jagged chords and solos bound to upset the established order of music. Despite these qualities the album still is very much rooted in order and tradition, this isn't exactly a foray in free jazz. Some tracks are more relaxed and conventional but there are certainly wild moments as well. There is a second bassist here who shares melodies and solos with Carter on several tracks which make their soloing much more interesting and avoids the cliche of everything quieting down for a bass solo.

I wouldn't call this album essential but is a nice breath of fresh air and feel unique enough to warrant repeat plays.